Wednesday, March 21, 2007

The Face Basement

So, as some of you out there may know, I'm currently in rehearsals for a production of 'The Pillowman' by Martin McDonagh. In this production, I play a writer by the name of Katurian who writes gruesome short stories sprung from his twisted imagination, an imagination that was forged during a rather unconventional and "torturous" childhood.

During the course of the play, we hear several of Katurian's stories, many of them pretty sick, with titles such as "The Pillowman", "The Little Jesus", "The Little Applemen", "The Tale of the Town on the River", etc. There are also several stories which we never hear--we only hear the titles. As a character excercise, I wrote one of these stories as Katurian, a story known as 'The Face Basement'.

I think I need therapy.

Enjoy:

Once upon a time in a far away town atop a tree-covered hill lived a little boy who did not look like all of the other children in his woodland home. No, this little child was different, for where there should have been the face of a young, handsome and healthy young man, there lay instead the grotesque, deformed, and scarred face of a living corpse, all mangled and torn flesh, with deep sunken eyes and a hole where there should have been a nose. However, this child was not always so horrible to look at—in fact, he was born the loveliest of all children in the land, a fact that the child’s cruel and less-than idyllically beautiful mother and father could not bear.
Out of their peevish and hostile jealousy, the little boy’s parents would, on a nightly basis beginning on his fourth birthday, come into the little boy’s room as he slept and cover his little cherubic face with honey, and when he would awake to question his parents, they would silence him and tell him that they were helping him to remain forever beautiful. Then, once giving the little boy a healthy dose of laudanum to force him back to sleep, the parents would then bring in a box of fire ants from the woods behind their house, only to release them onto the honey-dripped face of their angelic son so that they may gnaw and infect his porcelain flesh with their venom-soaked pinchers.
Every morning, the boy would then awake in terrible agony, his face a mass of smoldering diseased tissue, all scabs and erupting pustules. As the boy would cry out in misery for something to cool his wounded visage, his cruel and horrible parents would come in offering comfort…comfort in the form of more laudanum. This cycle of torture and doping went on for seven consecutive years, until one day the parents were called away on business, leaving their now adolescent son lashed to his bed in a feverish coma…a coma from which, in their absence and subsequent failure to re-drug their son, was therefore broken.
For the first time that he could ever remember, he felt no pain. As his thin, malnourished wrists slid gingerly out of his bonds, he left his bedchamber for the first time…and wandered through the large home that he had yet to know. As he wandered the dark and shadowy canyons that comprised the hallways, he found himself before a small, non-descript door with a worn copper handle. As the boy fumbled with the knob for a moment, he pushed the door open to find a dimly lit staircase leading ever downward…a staircase he followed with an almost primal curiosity.
As he spiraled ever-down into the heated and humid depths of his parents basement, he found, to his horror, a row of dummies against the moldy brick walls, each with a pinned photograph where the face should be…pinned photographs which showed the chronology of what he would learn was the devolution of his own face, once angelic and pure, now mangled and putrid. Once the horrible truth was realized, the little boy sought revenge. He waited in the dank musk of the basement for his parents to return. Which they soon did.
As they entered their dungeon of experimentation, the little boy, who was now not as little as he once was, knocked each of his parents on the head from behind. As they lay in a state of protracted sleep on the damp clay floor of their basement, the little boy proceeded to carve off the top layer of each of their faces with an exacto-knife. He then placed each face in a jar of alcohol, setting them atop the dummies that flanked the final dummy which showed his own mangled face. Then he waited. Waited for his parents to awake. Which they soon did…
…in terrible, revolting pain. Their little corpse then proceeded to show them their reflections in a looking glass, reflections in which he boasted, “See…now you look like you should be my parents….” And once the parents fully took in the effect of what their little angel had shown them, he proceeded to hack them to bits with a rusty meat clever, burying their quartered remains in the woods behind his newly inherited mansion.
As the boy realized that he was now on his own and would have to fend for himself, he knew he would have to go into public. But due to his ugly face, he would have to hide it...it was in this moment that he saw his mother’s sliced off face in the alcohol jar and decided to slip it on. However, he didn’t quite like the way it looked…so he went out into the town below and found a child whose face he liked. And he followed this child, killed this child in a dark alley, removed the child’s face and took it for his very own. He liked it so well that he continued to do this on a weekly basis—finding a face he enjoyed, killing and slicing the face off of his unassuming victim, and then storing the faces in jars atop dummies in his parent’s former basement, which was now, of course, his basement. Finally the boy had a collection of about three-hundred and sixty-five faces. Which he thought was just swell.
Now, whenever the angelic little boy wished to leave his home for the outside world, he simply went to his basement, which he now termed his “Face Basement”, unscrewed one of the jars atop his dummies, and prepared himself to face the day…

…The End.

1 comment:

Sanctuary said...

That's pretty good. No, it's not better than all of mine, but it's pretty good. (I'm in rehearsals for the Charleston Stage Company, Charleston, WV production of "The Pillowman", opening Feb 21 2008, and I'm playing Katurian as well. What a role.

Your story really does capture his voice and the macabre approach of the other stories...We were talking after rehearsals the other night about how we'd like to read "The Face Basement and "The Shakespeare Room"...I'm going to send my castmates a link to your story. Thanks for that.

How did your production go? I hope it was a great success. After reading your story I can't imagine how it wouldn't have been.

We're not quite in tech rehearsals yet, so I'm not sure what effects the production people have come up with for the execution scene. How did you do it in your production?

-Ryan H.